1,204 Royalty-Free Audio Tracks for "Microtonal Equal Temperament Intervals"

*Bohlen-Pierce scale: interval between C and F, lesser septimal tritone on C = F. Just: 7/5 = 582.51 cents. Limit: 7-limit. MIDI pitch bend: 52,58

*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

*Hundred-fifty-fifth harmonic on C = D♯. Just: 155:128 = 331.35 cents. Limit: 31-limit. MIDI pitch bend: 4,74

*Two-hundred-forty-fifth harmonic on C = C+. Just: 245/128 = 1123.97 cents. Limit: 7-limit. MIDI pitch bend: 85,39 on P8

*Just diminished fourth on C = F♭ (Ben Johnston's notation). 32:25 = 427.37 cents. Limit: 5-limit. MIDI pitch bend: 97,72

*Classic augmented fourth on C = F♯. 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,85 on P4

*Three-hundred-forty-third harmonic on C = G♭+. Just: 343:256 = 506.48 cents. Limit: 7-limit. MIDI pitch bend: 9,66

ii-V-I turnaround in C, in four-part harmony.

*Hundred-thirty-third harmonic on C = D♭. Just: 133/128 = 66.34 cents. Limit: 19-limit. MIDI pitch bend: 29,85

Example of flats in music on piano. An A, then A♭.  This image was created with Audacity.

ii-V-I turnaround in C, in four-part harmony.

*Hundred-eleventh harmonic on C = A♯+ (Ben Johnston's notation). Just: 111/64 = 953.30 cents. Limit: 37-limit. MIDI pitch bend: 7,81

ii-V-I turnaround in C, in four-part harmony.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Goodnight, Ladies in Pythagorean tuning. MIDI pitch bend matches intervals.

Alternate augmented ninth chord on C.

*Hundred-fifty-ninth harmonic on C = E (Ben Johnston's notation). Just: 159/128 = 375.46 cents. Limit: 53-limit. MIDI pitch bend: 18,56

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

*Hundred-eighty-fifth harmonic on C = F+ (Ben Johnston's notation). Just: 185/128 = 637.66 cents. Limit: 37-limit. MIDI pitch bend: 6,76

*Forty-first harmonic on C = E (Ben Johnston's notation). Just: 41/32 = 429.06 cents. MIDI pitch bend: 38,73

*Forty-third harmonic on C = F (Ben Johnston's notation). Just: 43:32 = 511.52 cents. MIDI pitch bend: 87,67

A minor pentatonic scale in Pythagorean tuning. MIDI pitch bend matches intervals.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

4-29ZA (all-interval) tetrachord on C

4-15ZB (all-interval) tetrachord on C

4-29ZB (all-interval) tetrachord on C

4-15ZA (all-interval) tetrachord on C

*Pythagorean apotome on C = C♯++ (Ben Johnston's notation). 2187:2048 = 113.69 cents. Limit: 3-limit. MIDI pitch bend: 49,68

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

*Ninety-ninth harmonic on C = G↑ (Ben Johnston's notation). Just: 99/64 = 755.23 cents. Limit: 11-limit. MIDI pitch bend: 86,81

*Ninety-fifth harmonic on C = G (Ben Johnston's notation). Just: 95/64 = 683.83 cents. Equal-tempered: 27/12:1 = 700 cents. Limit: 19-limit. MIDI pitch bend: 106,90 on TT

Dominant eleventh chord in four-part writing.

German sixth equals dominant seventh

Pythagorean diatonic scale on C. + indicates the syntonic comma.

*Pythagorean augmented second on C = D♯++ (Ben Johnston's notation). 19683/16384 = 317.60 cents. Limit: 3-limit. MIDI pitch bend: 81,69

*Pythagorean augmented fourth on C = F♯++ (Ben Johnston's notation). 729:512 = 611.73 cents. Limit: 3-limit. MIDI pitch bend: 96,67

Tritone substitution (for V) notated as Italian sixth.

*Pythagorean augmented fifth on C = G♯++ (Ben Johnston's notation). 6561/4096 = 815.64 cents. Limit: 3-limit. MIDI pitch bend: 1,69

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Neapolitan sixth in C minor.

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

Thirteenth chord CMA13(sharp11).

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69